If you came of age while protesting against the Vietnam War, then Joe
(1970) was your worst nightmare, starring Peter Boyle as a badass bogeyman. As Joe Curran, a flag-waving, beer-swilling, gun-loving, foul-mouthed factory worker who hated hippies, minorities and homosexuals with a genuinely scary (and ultimately homicidal) fury, Boyle made the sort of indelible impression that can instantly turn an actor into an icon. To be sure, he later displayed impressive versatility in a wide variety of movie and TV roles, playing everything from a tap-dancing Frankenstein's Monster
to a savvy Senate campaign advisor to everybody’s favorite curmudgeonly paterfamilias. But I must admit that I never got over my first impression of the guy as the hardhat from hell. (If you’ve never seen Joe – think Archie Bunker with no redeeming qualities, and ready access to deadly weapons, and you’ll get the idea.) And that impression was only reinforced when I saw his Emmy-nominated performance as Sen. Joe McCarthy in the 1977 TV-movie Tail Gunner Joe. Indeed, I couldn’t help thinking when I saw Boyle more recently as the viciously racist grandfather in Monster's Ball that, hey, there’s Joe Curran again – older but no wiser, and still as nasty as he wants to be. Given Boyle’s real-life political leanings – he was a self-described “conservative radical” who performed in ‘70s anti-war revues with Jane Fonda and Donald Sutherland – I guess he’s a textbook example of a great actor: Someone who can successfully and stunningly turn himself into something he’s absolutely, positively not.
Here is a link to an enlightening 1970 New York Times interview with Boyle that ran while Joe
was all the rage. And here is his Associated Press obit.
