After hearing yesterday’s announcement about the Sept. 20 release of Rambo: Last Blood — the fifth and purportedly final chapter in the long-running franchise featuring Sylvester Stallone as troubled yet tenacious Vietnam War veteran John Rambo — I was reminded of a conversation I had back in 2012 at Fantastic Fest in Austin with director Ted Kotcheff (pictured above with Stallone), the director who helped start it all with the original First Blood (1982).
Kotcheff reminded me that he came to the project after it had been offered to other actors — including, no kidding, Al Pacino — and before the fateful decision had been made to keep John Rambo available for a string of sequels, Yes, it’s true: At one point, First Blood was envisioned as a one-and-done melodrama.
Here are some highlights from my 2012 conversation with Kotcheff.
John Rambo actually dies at the end of the novel that inspired First Blood. And I understand that’s also what happened in early drafts of the script. Have you ever wondered what a different sort of pop-culture impact the character would have had if you’d offed him like that – and not allowed him to survive for sequels?
What happened was, originally, the movie was conceived as the story of this Vietnam veteran who’d been kicked around from pillar to post. He didn’t feel there was any room for him in American society anymore – he was a piece of machinery that was broken. But then something happens. When he returns to that town where he’d been told to leave, he’s on a suicide mission. This was it — he had to die. Because he didn’t want any more of America.
And I take it that’s how the character came across in scripts that went out to people like Al Pacino, who was offered the project before Sylvester Stallone came on board.
When I cast Sylvester, we worked on the script together. And thing about Sylvester is – he has a very good populist sense. While we were shooting the film, we had a pretty good idea what it was all about. But we rewrote the ending various ways – something like 16 times – until we came up with the idea that the colonel, the character Richard Crenna plays, comes in there to put him out of his misery, to shoot him. And when he can’t do it, Rambo commits hari-kari. That’s the “alternative ending” you can see on some of the DVDs.
It’s really quite shocking in its abruptness. Stallone just pulls the gun while it’s still in Crenna’s hand – and pow!
And after we shot that, Sylvester comes over to me and says, “God, we put this character through so much. He jumps off cliffs, he gets shot and has to sew himself up, dogs are sicced on him – and now we’re gonna kill him? The audience is really gonna dislike this.”
And then he said, “Also, looking at it from a crass commercial point of view, I’m sure that whoever distributes this film” – because we didn’t have a distributor yet, we made it independently – “they’re not gonna want him to die at the end.” And I said, “You got a point, Sly. I have an idea – I know how to do this.”
And that’s when you shot the ending where he survives.
And the funny thing is, the producer wasn’t happy. He asked, “What are you doing, Kotcheff? What are you shooting? We already agreed, this is a suicide mission. We can’t have him surviving.”
And I said, “Just leave it to me, it’ll only take two hours, we can shoot this other ending.” And he was like, “We’re already over-budget. We can’t afford two hours of shooting.” But I finally convinced him to allow me to do it.
We had the first test screening in a suburb of Las Vegas. And I have to tell you, I never had another audience respond like that. They were yelling: “Great! Get him! Get him!” They were so involved with the action, it was just amazing. And then, he commits hari-kari. Well, you could have heard a pin drop in the cinema. And then a voice rang out: “If the director of this film is in this moviehouse, we should grab him and string him up from the nearest lamppost.” So I said to my wife, “Let’s get out of here before they string me up.”
So it was a no-brainer to make the change?
All the response cards we got back had things written on them like, “This is the best action film I’ve ever seen, but the ending…” And all you saw were exclamation marks. Every card had the same reaction. So I just turned to the producers, and said, “Boys, I just happen to have this other ending.” That’s how it happened.
They actually listened to a test audience! I've always wondered if they did.
Post a Comment