![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRNdBRdWjqt16lpOVroc9i_6kPcMA5dNDVrghaPc7eYmPqe6IL6_Xc3X5XGUYpUXZ2NWLHB2rIcVKO8J5aq9ryGmcOqgXjA65WJ5f7QglS7iABoY2ey0oGMc7vWII85SqdKYs/s400/Quarantine_poster.jpg)
Last year, my Variety colleague
Alissa Simon aptly described the Spanish-produced thriller
REC as "
Night of the Living Dead meets
The Blair Witch Project." And, really, you could say pretty much the same about its Americanized remake,
Quarantine, a modestly inventive and sporadically exciting horror flick predicated on the idea that whiplash pans, inconstant focusing and other faux
cinéma vérité embellishments can refresh even the moldiest of zombie-movie tropes. You can read my Variety review
here.
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